Is a radical genre criticism possible?: Quarterly Review.
Synopsis Since publication of the first edition in 1974, Film Theory and Criticism has been the most widely used and cited anthology of critical writings about film. Extensively revised and updated, this sixth edition highlights both classic texts and cutting edge essays from more than a century ofthought and writing about the movies.
The Hollywood blacklist was the colloquial term for what was in actuality a broader entertainment industry blacklist put in effect in the mid-20th century in the United States during the early years of the Cold War.The blacklist involved the practice of denying employment to entertainment industry professionals believed to be or to have been Communists or sympathizers.
Thomas Schatz, “Warner Bros.: Power Plays and Prestige,” Chapter 12 of The Genius of the System: Hollywood Filmmaking in the Studio Era. Pantheon Books, New York, 1988.
An Empire of Their Own: How the Jews Invented Hollywood. New York, Crown Publishers, 1988. Schatz, Thomas. The Genius of the System: Hollywood Filmmaking in the Studio Era. New York, Pantheon Books, 1988. Sommer, Robin Langley. Hollywood: The Glamour Years (1919-1941). New York, Gallery Books, 1987.
Thomas Schatz, Professor and Chair of the Department of Radio-Television-Film at The University of Texas at Austin and author of Hollywood Genres: Formulas, Filmmaking, and the Studio System; The Genius of the System: Hollywood Filmmaking in the Studio Era;and Boom and Bust: American Cinema in the 1940s.
Acknowledgements Introduction 1.Definitions of Genre 2.Dimensions of Genre 3.Major Genres 4.Film Noir 5.Melodrama 6.Genre Theory 7.Genre and Hollywood.
Wheeler Winston Dixon (ed.) Film Genre 2000: New Critical Essays. Albany: State University of New York Press, 2000. Wes D. Gehring (ed.) Handbook of American Film Genres. Westport, CT: Greenwood, 1988. Barry Grant (ed.) Film Genre Reader. Austin: University of Texas Press, 1986. Barry Grant (ed.) Film Genre Reader II.