The Sacred Wood: Essays on Poetry and Criticism by T. S. Eliot.
T. S. Eliot, Selected Prose of T. S. Eliot, ed. Kermode (London, 1975) With Mr Murry’s formulation of Classicism and Romanticism I cannot agree; the difference seems to me rather the difference between the complete and the fragmentary, the adult and the immature, the orderly and the chaotic. (p. 70) Probably, indeed, the larger part of the labour of an author in composing his work is.
Their essays range widely over the various aspects of Eliot's critical activity and place it in the context not only of his endeavours as poet and dramatist but also of his formal training as a philosopher and of his conversion to Christianity. They contrast the early and later work (not forgetting Eliot's own retrospective comments on the former), consider its relation to the English critical.
This paper analyzes Eliot's The Wasteland in conjunction with his literary criticism and biographic notes in order to interpret his philosophical convictions which influenced his mode of poetic creation.
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Eliot became a very influential critic and produced some excellent critical works such as The Sacred Wood (1920), For Lancelot Andrewes (1928), The Use of Poetry and the Use of Criticism (1933), Essays Ancient and Modern (1936) and Notes Towards a Definition of Culture (1948).